Indocina Fine Art College in Hanoi: Renewel Time (part5)
Posted: 2011/05/09 Filed under: Art, Artist, Asia, France, Lacquer, Lacquer Painting, Modern Art, Nguyen Gia Tri, Research, Southeast Asian, THE ECOLE DES BEAUX-ARTS IN HANOI, tradition, Urushi, Vietnam, Western Leave a comment
Indocina Fine Arts College, 1929
RENEWAL TIME
After the "doi me" introduced in 1985 and thaw resulting contemporary art knows a real development. For the Vietnamese painters, first is the opportunity to be for the first time professionally exposed. But it is also the hope of making exhibitions in their own country with the opening of new galleries.
Currently personal or collective exhibitions open virtually every day in Hanoi to Ho Chi Minh City. Several premises owned by public institutions, associations of fine arts or cultural services are converted into exhibition halls specialized development numerous galleries.
If the North school admits a more social aesthetic and committed viscerally figurative, the school of the South said more readily, abstract and matiériste:
Northern School truong Tan ,born in 1963 A graduate of the Ecole supérieure des beaux-arts of Hanoi, he works on different media (rice, canvas, cloth paper) lacquer and acrylic.
It seeks to realize its me in a simple and direct way. It stands to the physiological and psychological rejection due to the prejudices of a traditional society having kept the conservative mores.
By combining its figures to writing, he speaks itself without complex and not without hyperbole. His figures with sexual organs of different forms are open, and violent protests and a sexual claim asserted: it uses the graffiti to talk about homosexuality.
Dinh Y IHN born in 1967 
A graduate of the Ecole des beaux-arts in Hanoi, she is the daughter of the painter Dinh Trong Khang.
Gouache and always the same colours (black, white, grey), his compositions are organized around the human figure that she stylized to the extreme and repeated to infinity. Kind of strange query or reflection on the human condition, his suffering, his dilemmas.
The school of the South trung nguyen, Nguyen Thanh Trung, born in 1940 Born in the province of Hau Jiang, it follows the course of the school of fine arts of Saigon between 1958 and 1963.
Regarded as the leader of the painters of the South, he was President of the association of young painters of Saigon in the 1970s.
After briefly by the realism style belongs to the abstract current and uses as support the oil painting. It attaches paramount importance to the subject it deals with dark colors and with great care, the permeating of fine paths.
dao minh Tri, born in 1950 Born in Hanoi, a graduate of the Ecole supérieure des beaux-arts of Vietnam (1971-1976), he likes to vary the materials and techniques (oil, paper do, silk, lacquer).
Her work as a realistic first (inspired by the art of temples, pagodas and popular paintings) is now quite abstract, he enjoys contrasted colours and withdraw of figurative elements to redesign them as his inspiration in solid compositions
It is however committed now in topics relating to fish, it barrier showy colors of lacquer.
The exhibition concludes with the tribute of some French contemporary artists in Vietnamese art of today, such as Christine Jean or Eric leroux, parties in Vietnam find lost secrets.
read more all in artical
- part 1 : Paris – Hanoi – Saigon: adventure of modern art in Vietnam
- part 2 : French teachers of The school of Fine Arts of Indochina
- part3: 1st Generation of The school of Fine Arts of Indochina
- part4: War Time
- part5: Renewel Time
The Way of Rak-Urushi-Asian Lacquer. 